It’s that time of year when people and web sites look back on the year behind us and draw some conclusions.
According to borg.com, ‘Slaves of the Switchboard of Doom’ is the Best Sci-fi Read of 2017.
I can’t say I think they’re right, but it’s awfully nice of them to see it that way.
Here’s how they justify themselves:
Imaginative, new, and fun, Schenck took us into a timeless world full of nostalgia and classic science fiction. Great tech, and a sprawling story. Interesting characters and great world-building, this novel will be a great surprise for sci-fi readers.
Ah, just when things were going so well.
As we land in the worst shipping week of the year, the ten-year old computer that powers things here in the Secret Laboratory has finally sputtered and died. It was a faithful companion: I’m going to miss it. Especially because at the moment I’m typing on the creaky old laptop that I use downstairs.
That laptop really can’t handle most of the work I do. So I’m forced to build a new outboard brain.
I’ve been hoping to do that for a long time; but as important as my computer is to me, it can’t compete with things like groceries.
So this would be an excellent time to help me out, if that’s your inclination. You can always do that by purchasing merchandise from Retropolis or The Celtic Art Works; but in an extremity like this I’ll also mention that you can contribute directly through Paypal.
I’ve already ordered the things I need; I have to complete the fulfillment of my Kickstarter rewards and finish the promotion for Patently Absurd, and those tasks won’t wait. But anything you can do to help sponsor the Secret Laboratory’s new computer would be very, very welcome.
As always when it’s quiet around here, I’ve been busy. This time I’m working toward the book launch of Patently Absurd. And you can tell!
In fact you can tell all over the place: at Amazon, at Barnes & Noble, and at many of the places where books hang out. The print and eBook versions of Patently Absurd are available for pre-order in lots and lots of places, as you can see at right.
Review copies have gone out to those publications that have really long lead times, like Booklist and The Library Journal; I have two large piles of advance copies that are fated to go elsewhere (some to my Kickstarter backers, some to other reviewers, and some to booksellers). I have some smaller stacks of promotional materials and labels. Don’t even look at my dining room table. Please.
The rest of the world can see the book on March 13 of next year. But, like I mentioned, pre-orders are now a possibility.
For the print edition, I started out with a reduced price of $12.75 (that’s two dollars off the final price) but Barnes & Noble immediately marked it down again; so at the moment you can pre-order the book there for just $9.24. Don’t look at me: they’re wild and crazy over there.
The Ebook pre-order price isn’t discounted anywhere, to my knowledge, but I may run a special for my own pre-orders at Radio Planet Books. We’ll see.
Also, the book now has a presence at Goodreads for your adding and to-reading pleasure.
Radio Planet Books will be selling the eBook editions (you can pre-order there now!) and I’m working on a way to sell the printed edition there, too.
So these are exciting days for me and the UPS driver. I hope that yours are going well, too.
I’ve been selling customizable business cards for several years now at Retropolis and The Celtic Art Works. Customers would click on a sample image and be carried over to the Zazzle site, where they could edit the text on that card design to their own specification. The system worked pretty well, and a lot of people bought their business cards that way; but I’ve always thought it could work better.
After I built the Pulp-O-Mizer I could even see how it might be better: if all the possible background images were available in menus, and the whole user interface worked a bit more like the Pulp-O-Mizer, I figured that the process would not only be more fun, but more engaging. Customers would be able to try out all sorts of possibilities… so they would. They’d be more likely to buy their cards once they’d invested their time in them. It could work out better for all of us.
But it wouldn’t be a small job, and I’d need a fair-sized block of time to work on it.
As it turns out, the job took about a month.
It’s alive! Alive, I tell you!
So today I’ve unveiled the Business Card Construction Kit at Retropolis. (It’ll show up soon at The Celtic Art Works, too; but I’ve included all the Celtic art backgrounds already.)
The Business Card Construction Kit includes much of what the Pulp-O-Mizer does, but it also does more. You can design a business card in either horizontal/landscape or vertical/portrait shapes; you can have images and text on both the front and the back of the business cards; you can select any colors you like for your text; you have over 250 background images from which to choose, along with a wide variety of typefaces; and I’ve made innumerable little improvements to the user interface and user feedback.
It’s a pretty nice system!
Over 250 background images
The background images are divided by subject and style; in addition there are separate menus of images for the front and back of the cards. (That’s because the card stocks are usually coated on just one side, so an image that works well on the front may not look as good on the back of the card.)
There are a lot of Retropolis images, of course, but I’ve included all the old Celtic card backgrounds from The Celtic Art Works, and then added a lot of new border designs and images in that style. And I can continue to add more designs and styles as time goes on.
Many text controls, typefaces, and selectable text colors
Both the front and back of your business card can have up to six different areas of text, each with their own controls.
The color selector is something that I decided to leave out of the Pulp-O-Mizer, but it makes a lot of sense here.
And because there are so many typefaces available in the Business Card Construction Kit I’ve given you a second menu, which you can use to filter the typeface list by font type: Serif, Sans Serif, Hand Lettered, or All.
Save, export, and share your card designs
In order to save, move, or share your card designs, you get the same options as you do in the Pulp-O-Mizer. You can save and load locally, or you can export your card data as a block of text that can be imported into the Construction Kit on another device or browser.
There’s also a menu of example designs that you can load, and learn from, and even use as the basis for your own business card.
So that’s what I’ve been working on. I think it’s a much improved system for buying your customized business cards, and it’s designed to grow, as well. Give it a spin!
Well, it was uphill all the way for our first stretch goal, if by “uphill all the way” we mean up and down and up again; but we finally made it, and we’ve got just over a week left to hit the second stretch goal.
If we get there, this is what happens: I have the funds to arrange a Kirkus Indie review; and everybody who pledged over $50 will get a memo notebook with the Patently Absurd cover art on its own cover. These are nice little notebooks, as I can tell you from my personal scribbling experience.
It’s a harder goal to reach, at $1900, but we may have the urgency of the project’s end on our side. It’s coming up!
So if you have friends or if you see strangers who might like the book, this is the time to tell them all about it wherever you find them: on Facebook or Twitter, or at your own blog, or at GoodReads or LibraryThing or, in fact, anyplace at all.
It’s the larger pledges that will benefit from this stretch reward, so I’ve added a new set of ten “Collector II” rewards at $65. They’re just like the original Collector rewards except that they cost a bit more. That’s so you early adopters have a reason to look smug. If you need one, I mean.
(For the rest of you, that $65 gets you a signed, printed advance copy of Patently Absurd; a matching eBook of the same; an eBook edition of The Lair of the Clockwork Book; a pair of custom bookmarks; and a signed hardcover copy of Slaves of the Switchboard of Doom; plus a memo notebook, if we hit the second stretch goal.)
In other news, today I should see my third proof copy of the book. The last one was pretty great, but I’m still fiddling with color profiles for the cover.