{"id":1244,"date":"2011-04-29T11:29:45","date_gmt":"2011-04-29T15:29:45","guid":{"rendered":"https:\/\/www.webomator.com\/?p=1244"},"modified":"2011-04-29T11:29:45","modified_gmt":"2011-04-29T15:29:45","slug":"ted-talk-by-bruce-mccall-the-new-yorker-the-national-lampoon-about-retrofuturism-and-humor","status":"publish","type":"post","link":"https:\/\/www.webomator.com\/wordpress\/2011\/04\/29\/ted-talk-by-bruce-mccall-the-new-yorker-the-national-lampoon-about-retrofuturism-and-humor\/","title":{"rendered":"TED Talk by Bruce McCall (the New Yorker, The National Lampoon) about retrofuturism and humor"},"content":{"rendered":"<div style=\"width:480px;text-indent:0px;margin-left:12px;\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/nUQsRPJ1dYw&#038;hl=en_US&#038;fs=1&#038;rel=0&#038;color1=0x2b405b&#038;color2=0x6b8ab6\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param>\n<object width=\"480\" height=\"390\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/fOk6HQaNpdE?fs=1&#038;hl=en_US\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/fOk6HQaNpdE?fs=1&#038;hl=en_US\" type=\"application\/x-shockwave-flash\" width=\"480\" height=\"390\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/div>\n<div style=\"width:450px;margin-left:25px;margin-top:12px;\">\n<p align=\"left\">Here&#8217;s the video of a TED talk by Bruce McCall, an illustrator from (notably) <em>The New Yorker<\/em> and <em>The National Lampoon<\/em>, in which he talks about his retro-futuristic work and humor. Near the beginning he describes how he arrived at his gouache style in terms that make that style sound like a limitation &#8211; while he also makes it pretty clear that the style is a kind of visual grammar that he uses, as you&#8217;ll see, to great effect. That stands out for me because the signature style is a double-edged sword that I know pretty well.<\/p>\n<p align=\"left\">\n\n<iframe style=\"width:120px;height:240px;float:left;margin:12px;margin-left:0px;\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" frameborder=\"0\" src=\"\/\/ws-na.amazon-adsystem.com\/widgets\/q?ServiceVersion=20070822&#038;OneJS=1&#038;Operation=GetAdHtml&#038;MarketPlace=US&#038;source=ss&#038;ref=ss_til&#038;ad_type=product_link&#038;tracking_id=webomator-20&#038;marketplace=amazon&#038;region=US&#038;placement=0374399255&#038;asins=0374399255&#038;linkId=PCO4LIBCYKI2A6VD&#038;show_border=true&#038;link_opens_in_new_window=true\">\n<\/iframe>\nThroughout the talk we see examples of McCall&#8217;s work from his &quot;Serious Nonsense&quot; retrospective. He&#8217;s arrived at or invented a number of labels and phrases for his work that are sometimes pointed, and usually amusing, from the familiar <em>retrofuturism<\/em> to the unfamiliar and altogether charming <em>faux nostalgia<\/em>.<\/p>\n<p align=\"left\">These illustrations are grounded in the real imagination of the 1930&#8217;s through the 1950&#8217;s (autogyros jousting over Malibu, or the auditions for <em>King Kong<\/em>); many of them get their bite from McCall&#8217;s experience as an illustrator and copywriter for the automobile industry. As he mentions in the talk a lot of this work has been folded into his children&#8217;s book, <em><a href=\"http:\/\/www.amazon.com\/gp\/product\/0374399255\/ref=as_li_ss_tl?ie=UTF8&#038;tag=webomator-20&#038;linkCode=as2&#038;camp=217145&#038;creative=399349&#038;creativeASIN=0374399255\">Marveltown.<\/a><\/em><\/p>\n<p align=\"left\">And near the end, there&#8217;s another treat &#8211; an animated version of his three-page <em>New Yorker<\/em> cover based on <em>The Ascent of Man<\/em> &#8211; seen as an escalator.<\/p>\n<p align=\"left\">Via <a href=\"http:\/\/www.synergycreative.com\/2011\/03\/serious-play-and-retro-futurism.html\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Synergy Creative<\/em><\/a>.<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s the video of a TED talk by Bruce McCall, an illustrator from (notably) The New Yorker and The National Lampoon, in which he talks about his retro-futuristic work and humor. Near the beginning he describes how he arrived at his gouache style in terms that make that style sound like a limitation &#8211; while [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-1244","post","type-post","status-publish","format-standard","hentry","category-found-on-the-web"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.webomator.com\/wordpress\/wp-json\/wp\/v2\/posts\/1244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.webomator.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.webomator.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.webomator.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.webomator.com\/wordpress\/wp-json\/wp\/v2\/comments?post=1244"}],"version-history":[{"count":0,"href":"https:\/\/www.webomator.com\/wordpress\/wp-json\/wp\/v2\/posts\/1244\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.webomator.com\/wordpress\/wp-json\/wp\/v2\/media?parent=1244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.webomator.com\/wordpress\/wp-json\/wp\/v2\/categories?post=1244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.webomator.com\/wordpress\/wp-json\/wp\/v2\/tags?post=1244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}