Ars Technica continues its series on the history of the Amiga computer with Part Five – in which we see the machine and its inventors, apparently saved by an influx of cash from Commodore Business Machines, learn the awful truth.
The company wastes its resources in a completely bungled launch and the Amiga simply sits, unmarketed and practically unsold, for about two years before matters change and someone gains a clue about what to do with it. Meanwhile Jack Tramiel rushes the Atari ST to market and advertises it aggressively. The original Amiga engineers are split between those who move East to join Commodore and those who’ve already found that they’ve had enough.
The story so far:
Here’s what makes me happy this morning – a jet packed penguin rocketeer by Fabio Bautista, modeled and rendered in 3DS Max. You just can’t keep a flightless bird down, even if he has to solve the immemorial “opposable thumbs” problem that’s stumped penguin engineers for centuries.
Bautista doesn’t have a web site of his own, but you can see his gallery – and a “Making Of” clip for this image and the brief “The Great Flight” animation – in his pages at CG Society, here.
It is our expectation that the public will be informed and dumbfounded by the remarkable and highly durable constructions of that renowned naturalist-adventurer Mlle. Porkshanks, of the Airship Inexplicable. These clockwork records of heretofore unseen species such as the Clockroach, the Skin Tunneler, and the Venomous Gearfly are presented as the sole surviving record of the Inexplicable‘s latest explorations.
The Inexplicable (as is not unusual) suffered remarkably high mortality rates amongst its crew during that venture and it is not coincidental that the vessel, now briefly returned to port, is currently advertising for additional crew.
It is perhaps because of the highly destructive events of their late adventure that Mlle. Porkshanks has chosen to replicate her discoveries in brass, bronze, and other sundry indestructible materials. This has ensured the viewing public of some insight into the Inexplicable’s new discoveries.
Indeed, fortunate observers may even have the opportunity to purchase one or more of these unique specimens, as Mlle. Porkshanks has determined that they should be sold to aid in the refitting of her beleaguered craft. Interested collectors may peruse her current offerings in the Gallerie d’Etsy . We are advised that they make curious jewelry likely to inspire conversation of a cultured type that will prove most agreeable.
In addition, like-minded scholars will be pleased to view Mlle. Porkshanks’ personal photographs at Deviant Art. Here are detailed not only her clockwork jewelry, but various equipment invaluable on her travels, such as the Steam Powered Anti-Aetheric Matter Raygun.
You can’t make that argument. It’s impossible to prove a negative.
Um…. can you prove that?