For the moment, I’ll ignore the fact that I still have three inventory illustrations to go; and having ignored that so successfully, I’ll pretend that I don’t expect to redo ten to fifteen of the illustrations I’ve already done; and while this ignoring thing is going so very well I will also neglect to remember that with all the art done I’ll still have a few weeks worth of debugging and finishing to do on the web site. And extras, like desktop wallpapers, to make.

Hey! Ignorance really is bliss!

On the other fronts I am pointedly not looking at the trailer because I’ve looked at it so much I can’t really see it any more. It’s pretty close to being finished. But I need to look at it with fresh eyes so that I’m sure what changes I still need to make.

I have a test book coming from the printer to work out any kinks in the printing process… so that once the art is really, definitely done I can put together the print version.

And I’ve continued to work on the Pulp Sci Fi Title Generator I put together for the Thrilling Tales web site… it’s continued to improve and it’s gotten a spiffy graphical facelift. And I’ve even made a Mini Title-O-Tron that people can install in the sidebars of their own blogs or web sites, if they like: I want to do a Facebook app version but so far whenever I look at their docs, my brain hurts.

So I guess I can take a deep breath for a bit, at which point I’ll need to stop ignoring those things I mentioned above, get them done, and try to catch all these balls I’m juggling at about the same time so that I can launch the site.

Technorati Tags: thrilling tales of the downright unusual, interactive fiction, retro science fiction, pulp sci fi, art, illustration, really need to have a bit of a lie down now thank you very much

Back in 1977 I moved from Southern California to a great, small beach town halfway up the coast. Wonderful place… but I’m not going to say where, exactly, for reasons that may become clear.

For the first little while that I lived there, every time someone local found out that I was new in town they would always tell me: "Don’t go to Happy Jack’s!" I’m serious. This happened every time.

The bar called Happy Jack’s, it turns out, was The Dive of Death.

The only thing that anyone ever said… specifically… about why I should not go to Happy Jack’s was, I kid you not, that they sold knives at the bar. Because people in the bar kept finding out that they really needed a knife, apparently. All of a sudden.

The fact that virtually everyone told me not to go in there was good enough for me. A few years earlier or later, and maybe I’d have made a beeline for Happy Jack’s. But just then, I decided to take their word for it.

And after awhile, well, I was a local. And without even thinking about it, when someone new showed up I’d tell them "Don’t go to Happy Jack’s". After a couple of years I started to wonder why I was telling them that. I’m not sure if it stopped me, though. This says something about the way people behave in groups. Most of the things you can say about how we behave in groups are not very good things. This could be an example.

So eventually I moved away and had adventures, and mostly I forgot all about Happy Jack’s. But years later I came back to spend the Christmas holidays in the old town. And I found myself walking down the street right past the open door of Happy Jack’s. I had never seen that door standing open in all the time I lived there.

It was quiet in there. They had a lot of Christmas decorations up. I’m pretty sure there were little Santas. And it looked like a peaceable, quiet sort of place to drop in for a drink.

It seemed to me that there’d been a change of management in the fifteen years I’d been away and I was sort of sad to see it tamed. If it had remained a little dangerous it would have been a lot more interesting. I didn’t go in.

I’m still not sure if that was a mistake. And I’m not sure that it wasn’t just force of habit, either.

But then there’s this: what if Happy Jack’s had never been a dangerous bar where they sold knives to people who suddenly needed them? What if the whole thing had been wrong… and I’d been perpetuating that when I chimed in to warn off the new folks in town?

I find that I prefer to believe that it was all true. But then, that’s what we usually prefer, isn’t it?

Technorati Tags: happy jack’s, the dive of death

Just a random, unprocessed frame from the bit I’m rendering right now for the Thrilling Tales of the Downright Unusual trailer. This is from the second scene. Now that I’ve pretty well worked out the timing for the first minute, I’m going in and making the final versions of those shots.

I’m not sure when I’ll be uploading the finished trailer (heck, I’m not sure when it will be finished). I may not want to promote the site until I’m done with the first printed volume, and ready to get to work on Part II. But I have a good and mysterious reason for wanting to get it done early – I’m thinking about incorporating it into something else that needs to be ready before I start on Part II.

Anyway, this is pretty fun. It’s always nice to see what happens when I put a camera in Retropolis to see what’s moving around, and I don’t do that often (enough?) these days.

Technorati Tags: thrilling tales of the downright unusual, retropolis, retro future, airship, zeppelin, dirigible, monoral, world of tomorrow

I’m in that last (ish) long haul here, and so I’m quiet; but I’ve got just four more illustrations to go for Trapped in the Tower of the Brain Thieves. One or two are challenging ones, but heck… I’ll take what I can get in the not quite instant gratification area.

I’m actually going slower than I might because I’m splitting my time between these and an animated trailer for the Thrilling Tales web site. It’s weirdly relaxing to switch from working hard on one thing to working equally hard on something different. I can’t explain why that is, but like I said, I’ll take what I can get.

It’s been quite awhile since I dusted off Premiere and put together a piece of video with it (and why do we still call it video?) My old version of Premiere won’t install on my main computer (16 bit installers: gotta love ‘em) and on my second one it looked at the memory available – which was way more than its programmers had believed possible, I guess – and ran screaming into the other room. So I had to remove memory to make it work. Go figure.

But anyway, that’s working, I have some neat period music for the soundtrack from the public domain Prelinger archive, and that, like the story, is slowly coming together. Prrrrrrrrogress!

Technorati Tags: thrilling tales of the downright unusual, retropolis, trailer, retro future, vintage, fiuturistic, rockets, the toaster with two brains, trapped in the tower of the brain thieves

Here’s a fantastic 360 degree panoramic view of a vintage power station control room from the Czech Republic. You can zoom way the heck in as you rotate the view. Really nice!

Lots of gauges, displays, switches and whatnot. They just don’t make ‘em like that any more . And here’s the link to the large, large original version.

Thanks to Boing Boing for the link. Now I must model furiously. No, wait, I’m doing something else. Egad!

Technorati Tags: vintage, retro, dieselpunk, steampunk, control panels, gauges, industrial, panorama, gadget, power station, czech republic, eastern europe

Doctor Rognvald, like me, is pleased.

I do have one massive exterior set to rebuild for half of those pictures (I’m not happy with the version I made originally) so it’s not what you’d call a slam dunk. But still.

Then there are three remaining inventory images. That’s because – in adventure game style – characters may pick up and carry items around. You get to see a bit of information about those, hence the illustrations of the objects. Add about four or five redos for illustrations I think should be better… some global adjustments for brightness and contrast… and then the art for Part One of The Toaster With TWO BRAINS will be done. Incredible as that may seem. To me, anyhow.

The brightness and contrast adjustments are mainly necessary to sync the web and print versions together – printed art is always a bit dimmer than it seems onscreen – but I’m also fighting the gradual decay of my fine but aging monitor. Every few months I have to check it out and adjust its display. So I’ll make a final pass through all the art at the end to make sure it’s copacetic.

Once the art’s done I can go back to work on the web site. I need to disable or modify one feature that I haven’t used, add another feature that I thought up while working on the illustrations, and implement a couple of things (saving and restoring your place in the story) that I didn’t bother with until I had a story to save and load. Add in some supporting pages, season to taste, fix the couple of problems the site has in the Chrome browser… and there it’ll be.

I’m still hoping to launch the Thrilling Tales site by the end of March. We’ll see.

Technorati Tags: thrilling tales of the downright unusual, retropolis, toaster with two brains, interactive story, pulp adventure, retro future, serial, dieselpunk, art, illustration

One of my very first posts here at the Web-O-Blog was about Alexis Van der Hague’s animation Stilt Walkers: an animated short that was rendered with 3D tools in such a way that it recalled the style of traditional paintings. That, and the lyrical style of the piece, impressed the heck out of me. Just lovely.

3D Total is hosting a "Making Of" article for a new image by Van der Hague. Here we see a portrait, within an 18th century landscape, of Papageno from Mozart’s The Magic Flute.

This time around we get not just the final product, which is sensational, but a breakdown of how Van der Hague has used 3D tools (ZBrush, Maya, and Mudbox) to build something that’s beautifully not photorealistic. That’s pretty close to a description of what I try to do. It’s just that the "not photorealistic" styles we’re each aiming for are pretty different.

This article’s a great example of how that can be done. Excellent work!

Technorati Tags: Alexis Van der Hague, papageno the bird catcher, art, illustration, maya, zbrush, mudbox, photoshop, stilt walkers, digital art

My T-shirt printer is four years old this month – and I have to say, anything I did at the age of four just pales by comparison – and to celebrate, they’re having a sale that is slightly less complicated than I’m about to make it sound.

The deal is, you get a discount of up to 20.9% on an order of $25 or more by entering this coupon code during checkout: 4PFBDAY. The exact amount of your discount varies, but for example: on a dark colored t-shirt it’s just over 20%.

I think 20.9% is the top limit. I tried the coupon on a bunch of different orders to see what it would do. ‘Cause, you know, I’m just like that.

The neat thing about this sale is that it’s not, say, $5 off on a shirt: the discount gets applied to whatever your total is. So if you order twenty shirts (please do!) you get a discount on all twenty of them.

The sale runs through February 17.

This is good news if you like the shirts from my Retropolis Transit Authority, Saga Shirts, or Hot Wax Tees. It’s significantly less good news if you don’t like any of them. In which case, those pants make you look fat.

Technorati Tags: t-shirts, retropolis transit authority, saga shirts, hot wax tees, sale, coupon, printfection

The rayguns have come out as I near the end of this batch of illustrations in Doctor Rognvald’s lab – and when these are done I think I’ll have nearly reached the "light at the end of the tunnel" stage. Almost.

When I guesstimated that Trapped in the Tower of the Brain Thieves would need about eighty illustrations… I was pretty much exactly dead on. Amazing, seeing as how that involved arithmetic and everything. Next time I’ll track the exact number as I refine the script. It was hard this time because some of the story nodes shared the same illustrations and I didn’t keep a tally of those as I went. Anyway, like I said, eighty pictures was about right. Sixty seven down as of this morning.

I got to thinking last night about Kickstarter. That’s a fundraising web site where a lot of musicians and artists are raising funds for their projects. I’m toying with the idea of trying that when I start Part Two of the story.

The whole thing ends up being a bit like a Public Radio fundraiser in which ever-neater premiums go with the ever-higher contributions. You can see that there’s some math involved there (egad!) to make sure that the total raised, minus the cost of those premiums, still gives you the funds you need. And if the cost of the premiums is high then the project’s funding has to be higher… which makes it harder for the project to reach its goal.

There are some Kickstarter anecdotes here at the Whitechapel forums. Fora. You know what I mean.

And you need an invitation to start a project, so when the time comes I’d have to scramble around on the web looking for one. But it seems like there’ s some potential there. Still thinking.

Technorati Tags: thrilling tales of the downright unusual, retropolis, retro science fiction, sci fi, interactive fiction, kickstarter, fundraising

Paypal is now accepted as a payment option at several of my online stores. So for those who are allergic to credit cards and debit cards, or those of you who’ve burned those cards in a wholly understandable protest against the rampant consumerism that is eroding the foundations of our culture while, oddly enough, paying my bills… now’s the time.

Paypal payments are now accepted at these sites of mine:

	Celtic Art & Retro-Futuristic Design
	at Retropolis: all products except for the ‘Retropolis Transit Authority’ T-Shirts and water bottles
	the Non-Conformists’ Union
	the Retrovert

So from here in my all-seeing Internet cockpit it looks to me as though the only places you can’t buy my swag with Paypal are my T-Shirt shops.

Technorati Tags: retropolis, celtic art & retro-futuristic design, paypal